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Posts from the Improv Tips & Quotes Category

At the risk of sounding like the old man standing on his porch shouting “Get off my lawn, you kids,” I need to kvetch.

One of the reasons many see improvisers as the 19th century public saw actors (“No Dogs or Actors Allowed!”) is that we don’t carry ourselves in a professional manner. We aren’t acting professionally nor are we treating each other professionally.

In the past month I’ve had three groups who’ve hired me to coach them cancel at the last minute. It’s unprofessional and it’s a bad precedent. I’ve lost work, time and money. I and many of the other teachers and coaches and directors that are hired spend a great deal of time preparing for these sessions, thinking about how to help individual casts find their voice, finesse their shows, further their careers, and, perhaps, make money. Yes, make money.

If you’re doing this for the art, cool, I get it. But there’s also a few shekels to be made from some of this work. The more of us who see the possibilities in that, the more the public will respond to the strong work being presented. The more we work on our craft with focused professionals the better we look. The better we look the more the public will see how great this art form can be. Should you blow off rehearsals when you’ve hired someone to come and work with you, you’re not just diluting the power of your work, you’re also continuing this idea that theatrical improvisation is merely a parlor game, or a series of easy jokes, or an evening of sloppy work delivered by shitty actors. I know that’s not who we are. I know we are able to do better.

No one can make you feel inferior without your consent. By the same token, you are the one that’s ultimately responsible for you being treated respectfully and honorably. If I say, “Hey, it’s okay that we scheduled a rehearsal and no one showed up,” that doesn’t serve any of us.

I allow you to treat me the way you do. Should I stand up and say, “No, we can all do better,” that doesn’t just make me stronger, it makes all of us see this work with professional eyes and hearts.

Honor me and my time. In the end that will serve us all.

Photo © Kevin Thom

Jimmy Carrane wrote this for his blog, and we liked it so much we had to share it. 

I got into improv for the wrong reason: to be liked. I was looking for everyone to validate me, especially the audience.

“Oh, what a noble thing I am doing,” I thought, “making people laugh.” I was lying to myself. I desperately needed their love, and I would bend and twist myself into any shape they wanted as long as they would accept me. I wish I could say I lost my voice, but the truth is I never had one to lose.

Since I was performing to justify my existence, I never let audiences see the real me. Why would I show them that? If I did, they would be repulsed and reject me.

So for years, I hid on stage. I hid behind characters who made safe choices, who supported other players but didn’t make an initiation. I’ve seen tons of improvisers in the same spot. They hide by being witty, by shying away from anger on stage, by being a caricature instead of saying something truthful about themselves through their character.

This is the worst kind of juggling act — trying to express yourself and trying to please people at the same time. And you know what? It doesn’t work, not even a little.

Eventually, I did start to find my voice. When I did my one-man show, “I’m 27, I Still Live At Home and Sell Office Supplies,” I took some big risks in showing my real self – how depressed I was, my anger at my mom, my self-loathing.

If you truly want to be an artist in any field, you have to take risks, which means making people uncomfortable, and the person who’s going to feel the most uncomfortable is you.

Unfortunately, though, you can’t learn the lesson of taking risks just once. It’s a lesson you have to keep relearning over and over again, and many times, I’ve gone back to hiding on stage.

A couple of weeks ago I got married to the most beautiful and kind person, Lauren. Our wedding was on a perfect Sunday fall evening at the super elegant Chicago History Museum. At the reception, both Lauren and I gave some impromptu speeches to our guests who came to celebrate this special day with us. When I took the mic out of Lauren’s hands, I felt a little performance high, which I sometimes get, and I spoke from my heart. I started out thanking people in my wedding party and then I acknowledged the three therapists in the room who had all helped me get to this place in my life where I could actually get in married. I mentioned the age difference between Lauren and I, a source of shame for me since I am 48 and she is 34. And finally, I also acknowledged my friends from the numerous 12-step programs that I’m affiliated with.

In that three or so minutes, my voice was stronger and clearer than it has ever been, and I was no longer hiding. This was me, take it or leave it. Some people appreciated what I said, others not so much. I was uncomfortable and I had pissed some people off, but I realize that for me, it was the right thing to do, and it was important for me to show who I really am.

After almost 25 years in improv, I finally understand that I had it all backwards. Being truthful and revealing things about yourself is the best way to connect with your audience.

To really make an impact on the audience, you have to risk not being liked. You have to say things that may be unpopular or play characters whose point of view is rough or not politically correct.

When your voice get stronger and clearer you are going to piss some people off, which is a good sign that you are on the right path.

Sure, being yourself and being really honest isn’t easy, but if you don’t do it, you’ll be killing yourself and your art at the same time. I’m going to keep trying.

Image © Improv Nerd

Photo © Lorenzo Hodges

Carmine Lucarelli is one of the smartest, funniest, most enjoyable performers you’ll ever see. He consistently kills as a member of The Get Ready For It Experience, Lashings of Apologies, and Painter’s Radio. He’s also a respected teacher, and is rumoured to own some fancy jeans.

 

Photo © Kevin Thom

Cold hands. Sweaty pits. Pre-show shits.

Celebrities aren’t the only ones who get stage fright. Plenty of gifted, seasoned improvisers suffer from pre-show anxiety. TJ Jagodowski spoke movingly about his battle with it in this 2008 interview.

Me, I had panic attacks onstage.

I’d be fine in the green room, OK in the opening, but as soon as I stepped into a scene my legs would start shaking. Sometimes I’d hear a ringing sound, then the stage would turn white at the edges. Meanwhile my scene partner was no doubt trying to interpret my glassy-eyed stare and statue-like stance as a character choice. Sometimes I’d try and get to a chair, but most of the time I just stood there praying to God for someone to edit.

If you feel anxious or shaky before (or during) shows, here are some proven techniques that can help.

Just Breathe

We’re a nation of shallow breathers, and anxiousness often results in shortness of breath. Breath Awareness is a simple yet powerful exercise you can do anywhere.

Find a place where you can sit comfortably for a few minutes. Close your eyes and notice whatever is being experienced in the moment: sounds, physical sensations, thoughts or feelings, without trying to do anything about them. Continue to do this for a minute or so, allowing yourself to settle down.

Now bring your attention to your breath. Simply notice the breath as it moves in and out of your nose, as the body inhales and exhales. Notice how the breath moves automatically, without any effort from you. Don’t try to change your breathing; just breathe normally and observe it.

Notice all the details of the experience of breathing: the feeling of the air moving in and out of the nose, the way the body moves as it breathes.

You’ll find your mind will wander away from the breath. That’s OK. When you notice your attention is no longer on your breathing, just bring your attention back to it.

Let all your experiences — thoughts, emotions, body sensations, awareness of sounds and smells — come and go in the background of your awareness of the breath.

Just doing this can lower your heart rate and calm you.

If you don’t have time to do this exercise (say, you’re backstage and they’re announcing your team), you can always do basic deep breathing.

Just inhale and hold the breath for a count of five, then exhale slowly for five counts. Repeat five times, or as often as you need to.

Talk To The Hands

Many performers’ hands are like ice before shows, and some experience cold hands or “cold sweats” in day-to-day life as well.

For years we blamed Cameron’s cold hands on poor circulation, air conditioning, or low body fat. Hands and feet are bony, after all. It makes sense they’d be colder, right?

Then we discovered the connection between feeling cold and feeling anxious.

Wearing gloves, rubbing your hands together, and holding them under hot water just aren’t very effective. The good news is, the following method is.

Sit or stand someplace quiet, and take a few deep breaths. Become aware of your heart beating, experiencing the feeling of it in your chest.

Once you can sense your heart, move your awareness to your hands. Concentrate on them (look at them if it helps), and feel the pulse of your heartbeat in your hands. Now introduce the intention to increase the blood flow to your hands. Just have the thought in your mind, “I’m sending more blood to my hands.”

If your hands are very cold or stiff, this may take a few minutes. Relax and stay focused. As you do, you’ll notice warmth, tingling, or other sensations in your hands. Introduce the intention of increasing warmth, so your hands become warmer and warmer. Feel the warmth as your intention alone increases the blood flow.

By doing this on a regular basis, Cameron went from having icicle fingers to me nicknaming him “Hot Hands.” Even in winter, when I grab his hand I know it’ll be warm, if not downright toasty.

Meditate, Feel Great

I know what you’re thinking. “Unh-uh. Not for me. I’m not into chanting mantras and dressing like Yanni.”

Well, relax. These days there are dozens of great guided meditations available online. Meditating for even a few minutes before a show can free you of the pressure we often put on ourselves to perform. The Breath Awareness exercise is actually a short meditation.

Some of our personal favourite meditations are Mary Maddux’s Ease of Being – Guided Meditations and Eckart Tolle’s Practicing the Power of Now. You can also use an app like Headspace, available on iTunes.

Don’t Fight Fear, Embrace It

Perhaps the thing that’s helped me and Cameron the most is something called The Sedona Method.

Instead of fighting emotions like fear, which only creates more resistance, it teaches you how to allow what you’re feeling, so you can let it go.

Cameron suffered for years from Generalised Anxiety Disorder. It ruled his every waking moment, and made something as simple as going to the store to buy groceries a gauntlet of pain and fear. He credits Sedona – along with improv – with giving him back his life. In fact, his life is more joyful now than anything he’d experienced before.

There are many different techniques for practicing Sedona, but one that I use quite often is a Holistic Release. If you find yourself getting nervous at any point, ask yourself,

“Can I feel as closed, and as tense, and  as constricted (or anxious, or whatever else you want to call what you’re feeling – they’re all just labels anyway) as I do?”

Don’t try to tense up your body more than it already is; just allow whatever sensations you’re experiencing to be here, in this moment.

Once you’ve welcomed the feeling or feelings, ask yourself,

“Can I feel as open, and as relaxed, and as calm as I do?”

You’ll find that even when your muscles are tense and your heart is racing, there’s a part of you that is “outside” all of the tension. Allow yourself to tap into that feeling of calm. Then continue to ask yourself the two questions, alternating back and forth, allowing yourself to feel all the sensations that are present. As you do, you’ll notice that the two extremes become less and less, until they both feel pretty much the same.

Sedona is simple, powerful, and you can do it anywhere, anytime, even with your eyes open. We highly recommend the audio program, because Hale Dwoskin, the co-creator, is so much fun to listen to.

Sedona’s not just for dealing with anxiety, either. It’s great for allowing yourself just to be, in every area of your life. You can read more about it here.

For more information on dealing with anxiety, check Cameron’s classes and blog at playwithfireimprov.com.

Photo © Keith Huang

Photo © Keith Huang

 

Photo © Brian McConkey

Photo © Kevin Thom