I’ve been asked by several people what I think about what’s going on at Second City (http://tinyurl.com/jy6ajlf). I’ve been waiting to see if any other info has come out, but it’s mostly the rehashed story attached.
Here’s my take: There are parts to this story, and there are parts of this story I don’t know about. There are events that took place backstage that I don’t know about. There are events that took place in producer’s offices that I don’t know about. There are internal politics involved that I don’t know about (which doesn’t make SC any different than any other business, and, yes, SC is a business).
When I was told that I was cast in the Second City National Touring Company, the first place I went to was The Old Town Ale House, to, yes, have a celebratory cocktail, but also to tell my friend and teacher Donny DePollo that I got hired. His response to my hiring stuck with me for my entire tenure (1989-2012) at Second City: “Do your job, don’t get involved in the politics.” That missive became a talisman for me. I left Second City before I got bitter, feeling SC never owed me a dime, and that everyday I was there I was grateful for the experience. I still feel that way, all things considered.
In regards to the audiences spewing indignities at the actors: Satire is subversive. We ask the audience for suggestions that come from their hearts. More often than not the suggestions from the heart ranges from mundane to beautiful. Oftentimes that heart is cold and closed and quiet and scared and ignorant and mean. When the heart is allowed to speak honestly under those conditions there’s bound to be an awful shattering to all those within earshot. It’s an awful sound to hear. It’s a terrible noise. The actors who heard that noise were understandably shocked, rocked, stunned, and temporarily paralyzed. It happened. It really happened. The question then becomes, “What do we do with that which just happened?” That question was asked on 9/11 and 9/12. The answer then was: We take it and we use it. We use it as a cudgel, we use it as a sword, we use it as a firecracker, we use it as the tool for change and awareness that made it appear in the first place. We take that suggestion and we build on its bones, covering it, creating a structure that does not deny its foundation, but rather shows that hate received in the right hands can help create, that truth inspires, that expressions of hope dilutes the rantings of the desperate. That humor can teach.
There hasn’t been an issue that SC has been afraid to tackle. Satire, like rust, never sleeps.
Wishing SC another speedy recovery. I can’t wait to see what they’ll create.