David Pasquesi is an actor/improviser and Second City alumnus. He’s both lauded and loved by everyone who’s anyone in the improv community, and is the Dave half of legendary improv duo, TJ and Dave. His film and television credits include Groundhog Day, Strangers With Candy, Angels and Demons, Curb Your Enthusiasm, and Veep.
When did you first know you wanted to do improv/comedy/acting for a living?
For a living? I didn’t know it was even possible. First class was with Judy Morgan around 1981. And I loved it from the start. I had found something I enjoyed that was not illegal and that I was not terrible at.
Who has had the greatest influence on your career, and why?
There are many people who have helped me immeasurably all along, but the single person? I would have to say Del Close. He is the person who I had the most contact with. He was a generous man with his knowledge and experience.
What was your first paid improv-related job?
My first paid job in the umbrella of entertainment was stand up. I was the M.C. at The Chicago Comedy Showcase as I was studying improvisation with Del.
Do you see improv as a means to doing other work, or an end in itself?
When you hear the words “working improviser,” what comes to mind?
Describe a typical day in your life.
Jesus. No typical day. Lately it’s been trying to run this fucking theater with TJ.
A lot of folks come to improv classes and get stars in their eyes. What advice would you give to someone who wants to pursue improv for a living?
If you are pursuing improvisation for the money…you are a fool. Do it because it isn’t a choice. You have to. If you don’t know what I’m talking about, then maybe that’s your answer.
Improv has been steadily infiltrating corporate and popular culture. With all of the interest in improvisation, why is it still so difficult to get bums on seats at shows? (Or is it, in your experience?)
I think because it is viewed as something everyone can do, there isn’t a need for me to pay to come see you do something I can do, too. So why should I pay to see you do it? Also, there are so many shows there isn’t enough audience to go around.
What’s the best, worst, or weirdest improv gig you’ve done?
Trying to do a Harold outdoors with no stage in the summer in a park on grass and dirt between stands of trees at Taste of Chicago as tourists ambled past on their way to ribs and cheesecake. And also, no one in the world knew what a Harold was.
Best for me is TJ and Dave, some highlights were doing TJ and Dave at Town hall in New York City. Also a European tour doing TJ and Dave. Factory, a TV show improvised with other guys from iO. Mitch Rouse’s show with me, Jay Leggett and Mike Coleman. All of us friends, we had a bunch of our friends come do stuff with us. And of course, the beginning with Del and just starting the Harold. That was very exciting.
Do you think it’s easier to make a living as an improviser today than it was when you were starting out?
God yes. There was no way to make money as an improviser. The only paying job was Second City. And that was not to improvise.
Where do you see yourself 10 years from now?
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