Susan Messing is fucking awesome. When we asked for a bio, she wrote: “Susan Messing has been an improviser and comedian for almost 30 years. So far so good, as no one has kicked her offstage. Yet.”
When did you first know you wanted to do improv/comedy/acting for a living?
I have always wanted to be an actor, a swimming coach, or a hockey goalie. After college, discovered improv and was hooked, especially because I wouldn’t have to memorize anything.
Who has had the greatest influence on your career, and why?
I would say that Mick Napier had the greatest influence on the kind of comedy that pleases me as he was someone who was doing it. That said, there have been a myriad of people whose work I have admired: Lucy, Gilda, Dick Gregory…
What was your first paid improv-related job?
My first paid job was kind of improvised. I was hired for a murder mystery at the Clock Tower Inn in Rockford, Illinois. I was the ‘killer’ but had to pretend all weekend that I was someone who would actually pay money to spend a weekend at The Clock Tower Inn in Rockford, Illinois to do a murder mystery. Mostly lying as myself.
How much have former instructors, coaches, and team members played a part in your career?
Everyone I have ever met has seeped into the core of my consciousness and shaped who I am.
Do you see improv as a means to doing other work, or an end in itself?
Improv is both for me.
What comes to mind when you hear the words “working improviser”?
When I hear the words ‘working improviser,’ that sounds like it is describing my life, teaching and performing here in the States and abroad. That said, improvisers can become copywriters, astronauts, and corporate trainers. This question makes me want to slap someone.
Describe a typical day in your life.
A typical day in my life involves keeping my child alive. I teach either at iO, The Annoyance, or The Second City, and three nights a week perform in one of those theaters. I manage to see my husband and tell him he’s brilliant, because he is. We have dumb animals that I keep alive too. Usually one weekend a month I am booked to go out of town to teach and perform.
What’s the salary range for a working improviser in your city?
No idea. I primarily make my living teaching and performing improv comedy, but I don’t think that most people do here in Chicago. Nobody does improv for the hope of a great salary. Ever.
Improv has been steadily infiltrating corporate and popular culture. With all of the interest in improvisation, why is it still so hard to get bums on seats at shows? (Or is it, in your experience?)
Here in Chicago and on the road, I am very spoiled and grateful in terms of having the best audiences, ever. That said, there are so many improv venues and opportunities to play that I think that people might occasionally get overwhelmed at their options. Also, they might just want to sit in front of the couch and smoke weed and watch The Bachelor.
What’s the best, worst, or weirdest gig you’ve done as an improviser?
See first job. The other ones I have probably blocked out of my memory for damn good reasons.
Do you see any advantages or disadvantages to being a woman in improv?
Where do you see yourself 10 years from now?
Ten years from now I hope to have the laughter and joy of a healthy and happy daughter and the continued love of my husband, family, and friends. I will be doing exactly what I am doing with exactly who I want to be doing it with just like the present moment. I will be spending a lot of time in the Redwood Forest in a tiny house or home in Chicago with our several golden retrievers and little to no cats. I will be super cute which will translate into very sexy. I will be in support of a far more humane world with improv as a fine template. Happy and grateful and hopefully helpful.