Posts tagged improv festivals

Detroit may be known more for Impalas than improv, but that’s changing fast thanks to Chris Moody. The 2014 Detroit Improv Festival takes place August 3-10, with 200 improvisers from across North America putting on 20 performances and 15 workshops. We spoke with Chris about the festival, rubbing shoulders with improv royalty, and the importance of giving back.

Photo © Heather Sejnowski

Photo © Heather Sejnowski

P&C: Tell us how you came to be involved with the festival, and why?

CM: Well I am a transplant; I grew up in Philadelphia and moved out here about 10 years ago. I started doing improv because I wound up going with my wife to see a show at Go Comedy! Improv Theater when it first opened up. It was a New Year’s Eve show and I [saw] that there were classes.

It just happened that both my wife and I were laid off at the same time, so I was looking for something to take my mind off of job hunting, and improv turned out to be the cure.

My day job is planning trade shows. I’m an Operations Manager, so getting things together, working on timelines and putting an event together was kind of what I’d been doing pretty much my entire professional life.

I approached the owners at Go Comedy! and asked them if they ever wanted to produce a festival, just let me know, and it turned out to be that year. We started four years ago, and each year we try to do something different to bring the best improv from around North America to our community.

P&C: And looking at your guests it looks like you’re doing an amazing job, especially for a festival as relatively new as yours.

CM: We’re extremely fortunate with a lot of incredible improvisers who have gone on to film, television, stage careers returning to the city to perform in the festival.

Keegan-Michael Key obviously, his meteoric rise through Key and Peele, got his start here in Detroit at a theatre that he helped open called the Planet Ant Theater, the longest-running theater that does improv in Detroit.

Tim Robinson knows the guys at Go Comedy, so we had a real good base of improvisers from around the country that helped us produce our first couple of festivals, and from there, through friends of friends we’ve been able to add on and increase the talent.

P&C: This year you’re bringing Fred Willard on opening night for a special screening of Best in Show.

CM: Yeah, we’ve always wanted to do something to attract theatre-goers to improv, because like many other cities, not many people really know what improv is. Some people think it’s stand-up comedy, Whose Line Is It Anyway? is a good resource and a good introduction, but we really wanted to introduce the locals to long form improvisation. And we felt by bringing this improvised film to a large theatre – it seats 1,600 people – we think that might be able to attract new audience members.

P&C: That’s a fantastic idea. Cameron and I know it can be like pulling teeth to get people who aren’t familiar to come see improv. Even my family was convinced it was stand-up with hecklers and they didn’t wanna go near it. Using an improvised film is a fantastically creative way to get new people involved.

CM: We were able to get Fred Willard through some Detroit connections. The Detroit Creativity Project is a non-profit that started teaching improv in the Detroit public schools, complimentary because of school budgetary cuts.

It was started by a gentleman named Marc Evan Jackson who’s a member of The 313 with Keegan. He started his project with the help of many other Detroit improvisers, and had a fundraiser in LA and Fred Willard participated in that. He was introduced to many of the Detroit improvisers in LA, and was kind enough to come out and do a Q&A for opening night, and he’s actually going to perform long form improv with his improv troupe, the MoHos.

P&C: That’s very cool. We just saw him on Andy Daly’s new show, Review.

CM: Yeah, he’s everywhere.

P&C: What have been your favourite performers or shows over the last four years?

CM: Well personally, my favourite thing about the festival has been the appearance by TJ and Dave last year. They came out and did two shows during the festival and they’re my all-time favourites. We had TJ come out the past couple of years, and last year we were able to get both TJ and Dave to Detroit. It was both sold-out performances and I marked it on my calendar not to miss those shows.

P&C: Oh yeah, I envy people who can see them regularly, in Chicago or New York.

Photo © Heather Sejnowski

Photo © Heather Sejnowski

P&C: Who are some of the other guests you’re bringing to the festival this year?

CM: Well we’d been trying to get John Glaser to come back to Detroit for the festival. He grew up in Southfield, Michigan which is about 10 minutes from Detroit, and he has agreed to come out. He asked if a couple of other performers he regularly performs with could come out as well, so Kevin Dorff will come out, Tim Robinson will be joining him, as well as Mike O’Brien from Saturday Night Live. So the four of them are gonna perform together and we’re extremely excited about that.

P&C: Amazing.

CM: Susan Messing has been to our festival each year, and each year she performs with a different person. This year she’s going to perform with Norm Holly, who is head of the Second City Conservatory. He is from Michigan, right outside of Detroit, so it’s a bit of a welcome home for him as well.

And then Colleen Doyle and Jason Shotts, who are two of my favourite performers out in Chicago, will be performing their show DUMMY.

P&C: The festival runs for eight days. That’s long!

CM: We increased the amount of days because of the festival starting on the Sunday night at the Redford Theater for Best in Show. We also wanted to highlight the Planet Ant Theater on Monday, which is their improv night. And Tuesday and Wednesday night we’re going to do a couple of local shows downtown at the Boll Family YMCA Theater.

Tuesday night’s show will be the Detroit Neutrino Project, the improvised film. And Wednesday night we’re going to have a showcase and fundraiser for the Detroit Creativity Project where students and alumni come back and perform, and a few others shows as well. Natasha Boomer is going to come out with Wheel of Improv that evening, which we’re incredibly excited about.

P&C: Oh, very cool.

CM: And then ThursdayFriday and Saturday night we move to Ferndale, Michigan where we have shows at the Go Comedy! Improv Theater, the Rust Belt, the Ringwald Theatre, and we’re going to do a family-friendly show on Saturday at the new ComedySportz Detroit.

P&C: That’s a very full schedule.

CM: It is, and it’s nice because all of the theaters – especially the ones in Ferndale – are just a couple of blocks from each other. So you can go from show to show. You catch the beginning of one show, you can catch the end of another show very easily; it’s very attendee-friendly and performer-friendly.

P&C: That’s terrific. Can you tell us a little about the workshops you’ll be offering?

CM: Sure. Depending on when everybody comes in, we have workshops on FridaySaturday and Sunday. Sometimes if a performer can only come on theTuesday or Wednesday we’ll do another workshop during the week for some of our local improvisers, but our main workshops take place during the day.

The nice thing about our workshops is, not only do you get a two-and-a-half hour workshop, you also get a free meal, whether it be dinner if it’s a night workshop or lunch at our BBQ on Saturday or Sunday.

P&C: Nice. Now, switching gears for a moment, because you’re relatively close to Toronto you’ve had a number of Canadians attend the festival. Do you notice any difference between US and Canadian performers’ styles?

CM: Not so much styles. I travel up to Toronto quite a bit, so I’ve got to know a lot of the improvisers in the area fairly well over the past four years. From Mantown to 2-Man No-Show, Ghost Girls, We’re From Here, Darcy & Bingley, Jess Grant’s solo, POMP… They’re so strong and so character-based, it’s a nice complement to our festival line-up. You can tell they’ve been working together for quite some time and they’re among the most unique and elite improvisers that I’ve ever seen.

Photo © Heather Sejnowski

Photo © Heather Sejnowski

P&C: I think it’s great for Canadians that you have such a rich offering of performers that a lot of us may not get a chance to see very easily or very often, so it’s nice that you also enjoy what Toronto has to offer.

OK, last but not least, DIF is a non-profit. Can you give us a bit of background on that?

CM: The festival is run by the Detroit Improv Collective Inc. It’s a 501(c)(3) non-profit that produces workshops and other events, including fundraisers which we do throughout the course of the year.

Over the past couple years we’ve partnered with Gilda’s Club of Metro Detroit, to help produce the festival; they’re actively involved. We do monthly workshops at Gilda’s Club, and we help out whenever possible.

We have a fundraiser coming up on May 20th for Gilda’s Club and the festival; we’re gonna feature some of our amazing local troupes and Joe Bill from Chicago is going to be in town and participate in the fundraiser. Gilda’s Club means a lot to me both personally and professionally. We’ve tried to do whatever we can to support them.

P&C: That’s fantastic. Well, thanks for your time Chris, and break a leg in August!

For more details, visit: Festival Submissions are open until June 8.

Matt Folliott is an actor/improviser/comedian, and member of Standards & Practices. He’s performed in festivals across North America, including DCM, CIF, VIIF, Out Of Bounds, Improvaganza, and Mprov. He even has a couple of souvenir tattoos – but that’s another post.

Inspired by Amy Shostak’s 12 Tips for Festival Organizers, I decided to write a post from the other perspective: that of the festival performer.

I’ve had the pleasure and honour of attending some of the best comedy festivals in North America. There’s nothing like a well-run festival. The energy is electric, the performers feel welcomed and supported, and everyone leaves saying the same thing: “I’ll come back!”

These are just a few tips to help make your festival experience even more enjoyable and worthwhile.

1. Have a game plan. Plan your trip. Plan your trip! PLAN YOUR TRIP! Most festivals will have activities planned for their guests, and that’s awesome, but it never hurts to have your own agenda. Take advantage of your time like a member of the illuminati takes advantage of our ignorance. Also, if you’re heading to the States, have a game plan of what you’re telling Customs. They don’t like performers crossing the border, so make sure you have another reason for entering. You don’t want your trip ruined before it even begins; ruin it with drugs, alcohol and sex with strange people, not poor planning. Key Word: Research

2. Smile, be friendly and engaging. Let’s be honest. Only ten percent of improvisers get paid for festivals, so get that out of your head right away. You ain’t doing this for the money! You’re there to meet fellow performers, create friendships and make professional connections. Always be thinking, “I’m so LA,” and force yourself out of that shell, Franklin! Meet people, you won’t regret it. Key Word: Shmooze

3. If you have the option, stay with your fellow performers in hotels or on their couches. Bonding is key at any festival, so if you get the chance to live or crash with other performers, do it. That’s also were all the fun happens; you know, when you’re hanging out with ten or so other funny people with nothing else to do but crack jokes and be silly all while you’re being fuelled by beer and bad food. Also, being billeted can really lower the cost of your trip, so look into it already! Key Word: Bonding

4. Be on time. For your call times, for festival workshops, for planned activities, for everything. No one likes a Late Larry or a Tardy Tamara. People get that you might be running behind, you were probably up late partying, but try your hardest to be on time. Festival organizers have put in work to get you there and set things up for you, so show some love back and show up. Key Word: Punctual

5. Don’t be a comedy snob. If you’re asked to do mixer shows or short form improv or to judge theatre sports, say yes! Maybe you don’t like mixer sets because they can be clusterfucks, or maybe you don’t like shows sprung on you without notice. Well, get over it pal. Being asked to do other shows at a festival is a compliment, as well as an opportunity to make new friends and admirers. Take the chance to try new things, and challenge yourself to find the fun in things you haven’t enjoyed in the past. Key Word: Try

6. Kill your shows! It’s easier said than done, but you’ve got to impress. Think of the song Lose Yourself by Eminem; that’s the type of attitude you have to have before every show. Now stop thinking about the song Lose Yourself by Eminem, and never revisit that thought again. Just remember you’re there to do what you already do at home, so don’t stress. Remember, you’re awesome! So stop shitting bricks and have fun. Believe me, audiences in other cities want to see you succeed. So take a deep breath and go out there and show them what you’re made of: star light and cosmic dust. Key Word: Play Hard

7. Meet your audience. After your show is the perfect time to say hello to the local crowd that came out to support you. Let them know you appreciate them coming, and get to know your potential fans. Plus, you never know what hilarity will ensue when you meet the people. Next thing you know you’re in the back of a van with a guy named Rainwater, hitting a four-foot bong and getting a back rub from a limber cat. What? It could happen at a festival, man. Put on your politician hat and get out there, shake hands and kiss babies, and then kiss the mothers of those babies to see if they have fathers. If not move in for the kill. Key Word: Approachable

8. Sleep. Just do it. If you go too hard you’ll burn out partying or exploring your new surroundings or getting super high with Rainwater the Albino Shaman from the strip mall. Sleep is needed at these festivals to keep your head in the game and your stick on the ice. Key Word: Nap

9. Take Workshops. Most festivals offer workshops, usually with instructors you may never have the opportunity to work with again. Did you hear me? You might never see these people again, so what you are waiting for? Take a workshop already! Anyhooter, workshops and classes are always less expensive for festival performers, and are sometimes free if you’re lucky. Plus you’ll get to meet other improvisers and have the chance to refresh your skills. If you’re really lucky, you might put a brand new tool in that old leather belt of yours, grandpa. So what are you waiting for? Sign up for that workshop! Key Word: Register

10. See shows! Festival shows are inspiring and motivating. So many of the most memorable shows I’ve seen have been at festivals or on the road. So get that performer’s pass  and watch a show. Watch a bunch of shows. Watch some shows, then watch some more. You catch the drift. Key Word: Watch

11. Meet festival volunteers and administrative staff. This one gets overlooked sometimes, and it’s a damn shame because those people volunteering to rip tickets at the door or those lovely humans sitting in the office are the life blood of festivals. Without people like them, nothing would get done. After all, we’re artists. We think with our hearts not our heads. We need these kind, caring, lovers of comedy to make sure dopes like us know where we are supposed to be and where to point the jokes. Their service is invaluable. God speed tiny dancers, you are the wind beneath our wings. Key Word: Volunteers

12. Communication. This is a two-way street and is super important if you are to enjoy yourself in your comedic travels. Ask questions, ask for help, and keep the lines open with festival organizers and fellow performers. I mean how are you going to know if you don’t ask? Key Word: Ask

Well that about covers it I think. Maybe you have a few of your own that you would have added in. You know what? Keep it to yourself, no one likes a know-it-all. Happy travels fellow comedy nerds!

Photo © James Binnie