One of the reasons I started doing the podcast Improv Nerd was to show younger improvisers who are starting out that everyone faces struggles on their way to the top. What I find the most fascinating when I interview improvisers who have “made it” is how each of my guests have dealt with and overcome their struggles.
No one is simply handed a career. Everybody had to work hard, and most of my guests have experienced disappointment, rejection, doubt and fear along the way. It’s all part of the journey. Passion will always trump talent. And if you persevere, you will succeed.
If only someone had told me this when I was starting out.
Recently, I saw the move, Chef, written, directed, produced and staring Jon Favreau. I loved it. It had so much heart, and he did a great job with the entire film. Jon and I started out roughly the same time that I did at IO-Chicago, which was then called the Improv Olympic in Chicago, back in the late ’80s.
If improv was high school, Jon was not one of the cool kids. He desperately wanted to get hired by Second City, which didn’t happen, he couldn’t break in at The Annoyance, and his team at the IO was pretty much overshadowed. He was by no means embraced by the improv community.
Which makes his success that much sweeter. Even though Chicago didn’t pay much attention to him, Hollywood did. While still in Chicago, he was cast in the film Rudy as Sean Astin’s best friend. Jon’s big break was a huge part in a popular movie. Shortly after that, he moved to LA, and several years later, he wrote and stared in the independent film Swingers. He wrote himself onto the map. From there, he acted and directed in such films as Made, Elf, and Iron Man. The guy is a great film maker.
What inspires me about his story is that even though he did not have easy time here in Chicago, he preserved and succeeded on a whole other level. He was never improv royalty, never made it to the top of the improv ladder. He had modest success, but he did not let that define him or get in his way. He had a bigger vision for himself, something I aspire to do.
Improv can be both a stating off place and destination. It can be whatever you want it to be. It is a fluid art form.
Sometimes, some of us get stuck in this art form, and improv becomes too important and the center of the universe. I have seen improv creatively ruin people’s lives because they did not get on a team or they got cut from a team or did not fit in at one of the big improv schools. And when that happened, they thought their creative life was over. I don’t know what kept Jon going, but I am glad he did. He found his place, and more importantly, he has inspired people like me to realize that it’s up to me to make my own path.
Jimmy Carrane is host of the Improv Nerd podcast (http://jimmycarrane.com/improv-nerd-podcast/), and he writes an improv blog at http://jimmycarrane.com/blog/. He also teaches the Art of Slow Comedy in Chicago.