Like the Five-Minute Harold, this exercise helps you get focused, fast. Great for homing in on specifics, and sharpening your awareness.
One person (usually the coach/director) keeps track of time with a stopwatch or second hand, calling the scenes after each interval.
To begin, two people perform a scene as they normally would. They can get a suggestion or not. There’s no time limit; the coach/director calls the scene when it feels right.
The players then perform the same scene again, this time in one minute.
The idea isn’t to speed things up. Simply taking the things that stood out in the scene (words, relationship, physicality, emotion) and using them in less time will naturally heighten those elements.
Next, the players perform the same scene in 30 seconds.
Then in 20 seconds.
Then 10 seconds.
And finally – just for fun – two seconds.
This exercise helps you distill scenes down to their essence, by identifying what’s important.
Joe Bill also teaches a version where you start with a scene and call it after one minute, then do the rest as above.
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